Year:2005
Director:Derek Yee Tung-Sing
Cast:Jaycee Chan, Fiona Sit Hoi-Kei, Anthony Wong Chau-Sang, Candy Yu On-On, Eric Tsang Chi-Wai, Teresa Mo Sun-Kwan, Hui Siu-Hung, Lam Suet, Raymond Tso Wing-Lim, Jamie Luk Kin-Ming, Henry Fong Ping, Chin Kar-Lok, David Chiang, Tommy Yuen Man-On
Description:
2 
                          Young looks like a step down for Derek Yee. Last 
                          year's Best Director at the Hong Kong Film Awards, Yee 
                          eschews complex themes or clever narratives for this 
                          rather generic youth drama. This isn't a tough motion 
                          picture with difficult things to say. In fact, everything 
                          about 2 Young is simple to the point of probable 
                          annoyance. Yet despite that - or maybe even because 
                          of it - 2 Young turns out to be an enjoyable 
                          and surprisingly engrossing melodrama, and Yee's handling 
                          has plenty to do with it. This is nowhere near the heights 
                          of Lost in Time or One Nite in Mongkok, 
                          but considering HK Cinema's alarming current state, 
                          2 Young is probably one of the best two HK films 
                          of the year - so far. It's hard to say if that's a good 
                          or bad thing.
                               Action star progeny Jaycee 
                          Fong is Fu, a poor kid who can't finish Form 4, and 
                          spends his time playing football with his pals and doing 
                          nothing of any import. Fu is attracted to rich princess 
                          Nam , which looks 
                          like a bad idea. Not only is she waaay up on the social 
                          ladder than he is, but she attends a prestigious girls 
                          school, and has not one, but two high-powered lawyers 
                          as parents. Fu's parents are completely the opposite: 
                          dad  is a minibus driver , and mom  works at a restaurant. 
                          The most recent Derek Yee produced and directed films 
                           seem to share a common thread, i.e. 
                          an affection for the working class guys and gals in 
                          Hong Kong. Basically, it's hard not to like Fu or his 
                          parents. Despite being not that smart, Fu is generally 
                          a good kid, and his parents may be noisy and rude, but 
                          in a lovable, familiar, if not too cartoonish way.
                               Meanwhile, life in Nam's household 
                          is a minefield of propriety and expectations. Her dad 
                           is a media-famous barrister, while mom 
                           has retired so she can follow dad everywhere. 
                          Nam sometimes rebels at home, which catches her father's 
                          ire. Nonetheless, she's disappointed at her lonely, 
                          sad home life and materialistic, shallow girlfriends 
                          , so going the full 
                          distance to rebel is not out of the question. What that 
                          means is she accepts Fu's awkward advances and the two 
                          begin to date in blissful, rich-girl-meet-poor-boy style. 
                          She's introduced to his life of cheap eats and public 
                          football games, and before you know it, the young couple 
                          has surpassed first, second, and third base. At the 
                          same time, her father begins to get an inkling of her 
                          dating habits, which is cause for him to get concerned. 
                          Then Nam gets pregnant. Welcome to Hell.
                               Facing parental disapproval, 
                          the kids have precious few choices. Abortion gets tabled 
                          quickly, and soon the two choose to make it on their 
                          own. Pals get them cheap digs out in the sticks, and 
                          from there they basically play house, though with tougher 
                          responsibilities and consequences than taking your toys 
                          and going home. Fu needs to work, which leads to a variety 
                          of realistic and surprisingly interesting problems. 
                          Aside from learning to keep a job, Fu also has to contend 
                          with stepping on triad toes, uncool bosses, and realizing 
                          that maybe he and Nam have nothing really to talk about. 
                          Nam has to deal with her new low-income home, which 
                          actually is less of an issue than one would think. As 
                          played by Fiona Sit, Nam is egregiously chipper about 
                          exchanging high-class life for low-class living. Still, 
                          the happy-go-lucky attitude Sit puts on gives way to 
                          more realistic fears, and when she starts to voice her 
                          doubts to her unborn child, the moment is felt. Derek 
                          Yee basically lets Jaycee Fong and Fiona Sit act like 
                          themselves for all 100 minutes of 2 Young, but 
                          it works. They're genuinely likable and seemingly real, 
                          and neither carries any movie star baggage with them. 
                          It's good that Yee didn't cast Edison Chen and one of 
                          the Twins; 2 Young could have been a nightmare.
                               But it isn't, and this 
                          is largely due to Derek Yee and his choice of actors. 
                          Yee gives 2 Young little overt artifice. Despite 
                          the loaded storyline and scads of moments that seem 
                          to echo an afterschool special, most of the interest 
                          is found in the day-to-day struggles, relationships, 
                          and the individual characters. The quartet of actors 
                          playing the parents are exceptional; the performances 
                          from Tsang, Mo, Wong, and Yu seem real and complete, 
                          such that their individual characters manage to balance 
                          out the eventual narrative necessities a film like this 
                          has. Eventually, there are big moments, i.e. soapbox 
                          speeches that are as alienating as they are unrealistic, 
                          and 2 Young manages two in the final fifteen 
                          minutes that are so jarring that they threaten to stop 
                          the movie cold. One, in particular, involves a character 
                          essentially shooting himself in the foot because it's 
                          the right thing to do; while this may be true, it's 
                          hardly realistic. But the performances work well enough 
                          to cover such obviousness.
                               2 Young has a few 
                          other problems. Some plot details are glossed over, 
                          and in a film with this much personal detail, the lack 
                          of certain explanations can be jarring. Also, the whole 
                          feels rather light, which is odd because the film is 
                          essentially about social problems and family dysfunction. 
                          At the same time, 2 Young manages to be quietly 
                          accomplished and involving, and manages a surprising 
                          emotional hold on the viewer. Yee's work here isn't 
                          truly noteworthy, but the solid storytelling and appreciable 
                          humanity make 2 Young a decent, though minor 
                          entry in the filmmaker's body of work. Oddly enough, 
                          2 Young is surprising and welcome stuff. Yee 
                          takes unexceptional subject matter and wrings something 
                          genuinely engaging out of it, which in its own way is 
                          cause for minor celebration. Plus, Fiona Sit is all 
                          but guaranteed to earn a Best New Artist nomination 
                          at next year's Hong Kong Film Awards, and Jaycee Fong 
                          demonstrates that perhaps he didn't deserve the universal 
                          criticism he got from Twins Effect 2. It seems 
                          there are surprises everywhere.
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